The photographic concept behind Anima Mundi arise from the personal consideration of depriving the observer as much of the interpretative binaries as possible, putting in a position not to create interpretative superstructures related to the form but to immerse themselves in the essence of the sensations that transpire from the images.
Constant research and experimentation lead the author to dig beyond the nature of the subjects, revealing their most intimate essence and pushing them to bend under it's own will, rewriting them according to it's own vision.
The fragility and impermanence of everything become primary themes, in a profound search that delves into the most intimate depths of the observer leaving him suspended in a cathartic state towards himself, as if the subjects became archetypes of the most fragile human shades becoming visual poetry.

To define the perceiving of the essence behind reality as the ultimate illusion of the human being in relation to what he himself calls real and nullifying this confines.